Atticus is a sculptor whose work embodies the transformative power of art to create beauty, meaning, and emotional impact from industrial materials. Using aluminum, bronze, copper, and stainless steel mesh—generally found in screen doors/windows and filters—he creates abstract pieces and installations, which sometimes resemble flowers, clouds, and other natural phenomena.

Atticus works spontaneously, feeling his way toward the objects that take shape in mind as he shapes them almost entirely by hand. To some pieces he adds color and texture by applying paint or broken auto glass.

“Metal mesh is a beautiful, flexible material that allows you to explore shadow and transparency in endless ways,” he says. “The material lends itself to these biomorphic shapes, which aren’t necessarily intentional... The sculptures seem fragile but are actually quite resilient—like nature itself.”

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Stephanie Armbruster's atmospheric paintings seek balance between figure and ground, blurring the lines between landscape and gestural abstraction. Each luminous painting is a densely-layered accumulation of structure and symbolism. Armbruster is a visual artist based in Pittsburgh, PA. She earned her BFA from Carnegie Mellon University in 2006.

Her work is collected privately and publicly, and has been exhibited nationally at institutions including the Carnegie Museum of Art, Chautauqua Institution, Mattress Factory Museum of Contemporary Art, Carnegie Mellon University, Cornell University, Los Angeles Printmaking Society, James Gallery, R&F Encaustic Paints, and others.

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Rick Bach was born an artist drawing for as long as he can remember.  He was influenced at an early age by his father who owned an auto body shop which did custom paint work. There are no readymade categories for the artist; he explores all media from works on paper to metal to wood and his style ranges from architectural to figurative. Bach’s motivation is to entertain and provoke while pushing the boundaries between conventional and absurd, functional and useless.  The artist currently resides in Washington, DC, while maintaining a studio in Pittsburgh. 

“I can’t remember a time when I didn’t draw.  It is just something I did and continue to do daily.  Whether it is a painting or sculpture everything starts with drawing.  I work every day to create as much as I can.  My art speaks for me as words do for an author.” - Rick Bach   

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For the past 30 years Judy Barie has lived and worked as a studio artist outside of Pittsburgh, PA. Her work has been shown extensively in solo exhibitions across the country including Boston MA, Washington DC, New York NY, and Scottsdale AZ. She has won numerous awards and her paintings and works on paper have been placed in several private, corporate and museum collections.She divides her time between her home and studio in Pittsburgh and Chautauqua NY, where serves as Director of Galleries under the Visual Arts program in Chautauqua Institution. Each summer she resides in Chautauqua coordinating and curating a variety of contemporary exhibitions.

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Patricia Bellan-Gillen was born in Beaver Falls, PA and lives and works in rural Western Pennsylvania. She’s retired from Carnegie Mellon University after 29 years as a professor in the School of Art where she held the Dorothy L. Stubnitz Endowed Chair in Art. The university honored her with the Ryan Award for Meritorious Teaching in 2000.

Bellan-Gillen’s paintings, prints and drawings have been the focus of over 50 solo exhibitions including venues in Washington DC, Nashville, TN, Houston, TX, Las Cruces, NM, Albany, NY, Bloomington, IL, Portland, OR, Grand Rapids, MI, Wellington, NZ and Wimbledon/London, UK. Most recently, her exhibition, “Words and Other Weapons” was staged at the McDonough Museum of Art, Youngstown State University, Youngstown, OH. Her work has been included in numerous group shows in museums, commercial galleries, university galleries, and alternative spaces. Venues have included: Hudson River Museum, Yonkers, NY, Chelsea Museum of Art, New York, NY, The Art Museum at FIU, Miami, FL, Frans Masreel Centrum, Belgium, University Art Museum, Laramie, WY, Tacoma Museum of Art, Tacoma, WA and the Aichi Prefectural Museum of Art, Nagoya, Japan.

Patricia has been active in the Pittsburgh art scene since 1977 as an exhibitor, educator and mentor. In 1996, she was the Pittsburgh Center for the Arts “Pittsburgh Artist of the Year.” Bellan-Gillen is an alumna of Edinboro University of Pennsylvania where she received a B.S. in Art Education in 1973 and a B.F.A. in Printmaking in 1975. She did post-graduate work at the University of Tennessee, Knoxville and received an M.F.A. from Carnegie Mellon in 1979.

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Born in Georgetown, Guyana, Gavin lives and works in Pittsburgh, PA as a multifaceted artist with backgrounds in commercial photography, painting, printmaking, and interior and product design.

His work combines original analog photography and appropriated images with collage, paint, varnish, and Swarovski crystals to create a mash up of couture art. Gavin is highly influenced by the way culture, media, politics, fashion, and design intersect, and his work asks questions that (continue to) confront a man of color in America today.

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Over the past 30 years Thomas has discovered his own unique voice through an intrinsic evolution of experimentation and tenacity. He is an artist who creates vibrant abstract paintings which invite the audience to explore the complex nature and seemingly endless flow of color and form. An artist must find meaning in the process, and Bigatel’s unorthodox, inventive approach to the process of painting results in compelling and convincing works of art. In his most recent body of work which began to evolve in 2008, Bigatel utilizes an inherent and intimate flow of color and motion. Thomas Bigatel’s commitment to his medium & his vision are evident in the penetratingly endless depth and illuminating intensity embodied in his powerful paintings.

Thomas was born in Allentown, Pennsylvania, USA in 1959 and studied at LaRoche College (now University) in Pittsburgh in the late 70’s. Thomas is a mostly self-taught artist whose work has evolved over the past years into what it is today.

Bigatel’s paintings have been exhibited in solo and group exhibitions in galleries and universities. His genuine vision has evolved over the years into an accomplished body of work consisting of over 1000 artworks, many of which are in private and corporate collections.

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Evan Boggess’s paintings are conflations of personal experiences, cultural allegories, references to natural resources, paradoxical circumstances, and geographical features of his home state.

Boggess received his MFA from the Hoffberger School of Painting at the Maryland Institute College of Art in 2011 and attended the Skowhegan School of Painting and Sculpture in the summer of 2011.

He currently maintains a home studio in the eastern panhandle of West Virginia, where he lives with his wife and two children.

In addition to his painting practice, he is also a full-time faculty member of the Department of Contemporary Art and Theater at Shepherd University. Boggess was the director of Shepherd University’s Phaze 2 Gallery from 2014 to 2023.

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Cory Bonnet is an artist and preservationist who paints contemporary nostalgic scenes of Pittsburgh and the surrounding area using salvaged and reclaimed materials.

Bonnet earned a BFA in Drawing and a Minor in Art History from Edinboro University of Pennsylvania in 1998. The importance of sustainable development was a huge catalyst in defining his work. The use of reclaimed materials and focus on conservation of historic buildings led Bonnet to earn the title of LEED AP from the USGBC. This gave him an in-depth understanding of sustainable building practices and reinforced his commitment to using salvaged, reclaimed or sustainable materials in his work.

Bonnet was named “2017 Preservationist of the Year” by the Young Preservationists Association of Pittsburgh.

Bonnet has worked on a number of community development initiatives and works with local charities to help them reach fundraising goals.

Growing up in the Pittsburgh area, Cory Bonnet has always appreciated the inherent beauty of the city and its surrounding neighborhoods. His paintings reflect the optimism and beauty he sees in his hometown.

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Born and raised just outside Pittsburgh, Christopher received his BFA at Edinboro University and has a studio at Radiant Hall in the Pittsburgh neighborhood of Homewood. He is primarily a painter but enjoys creating with any material at hand.

His artwork explores the mundane moments in life. The art depicts still life and landscape imagery with the intent to draw the viewer to individual moments in their life, or to contemplate the complete breath of their life span.

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Isaac Bower is a visual artist with a BFA in sculpture from Edinboro University of Pennsylvania, and an MFA in sculpture from West Virginia University. He was born in 1968 into a family of creatives and scholars, including a painter/illustrator grandfather, a gallery-owner grandmother, a poet/professor father, and an accomplished writer/professor mother. 

Thematically, much of Isaac's artwork has explored the boundary between the natural and artificial world. Stylistically, his work has often employed the use of patterning and modular approaches. Isaac's undergraduate education was rooted in ceramics, but he soon began to work with wood, found elements and later various mold-making and casting techniques. 

His work has often stayed near to the line between art and craft, influenced in part by various commission projects involving furniture, lighting, and custom architectural features. Isaac has been based in Pittsburgh, PA since 2004, when he established his studio in the Polish Hill section of the city.

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Terry’s work embroideries and unconventional sewing techniques connect audiences to lost memories, forgotten dreams, and personal histories by allowing an access point to the unconsciousness. The repetitive nature of the sewing process serves as a visual mantra that triggers a meditative state. Removing the referent to the external world, his sewn “paintings” guide the viewer back to the unending and elegance of the line, and invite the viewer to look inward for meaning.

His current work uses embroidery to capture how the media of the mid 90s & early 2000s influenced my sexual development and understanding. I’m revisiting the colorful stills burned into the back of my head from HBO’s late night programming, scrambled “ Skinemax” abstractions, and my first encounters of internet pornography.

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Zach Brown was born and raised in the small town of Mars Pennsylvania. After high school he attended the Rhode Island School of Design where he received his BFA. Zach went on to earn his MFA from the New York Academy of Art. After school Zach was awarded the Eric Fischl residency where he continued to develop his studio practice. He currently lives and works in Pittsburgh where he runs The School House art space.

Brown’s paintings combine traditional techniques and materials with formal design. The work combines the illusion of representational painting against the reality of the material and the painting as an object. This duality is also seen in the mixing of contemporary and ancient subject matter found in his work. The visual themes focus on the subjects of history, myth, and mortality.

Zach actively exhibits throughout the United States having his work covered by Artnet News and Hi-Fructose. His work has been added to the Seavest Group Collection and The Iliana Goor Museum in Tel Aviv as well as being a permanent feature of the Satanic Temple of Salem.

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Ashley Cecil specializes in paintings of flora, fauna, and feminine forms that illustrate connections between the natural world and its human inhabitants. Her work includes collaborations close to home with several beloved Pittsburgh institutions, such as the Carnegie Museum of Natural History and Phipps Conservatory and Botanical Gardens, creating a commission for Oxfam America that was exhibited at a United Nations convention on climate change, and far-flung research adventures to biological oases including the Amazon rainforest. The aim of her artwork is to endear you to the women and wildlife that will determine the future of an entire generation.

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Justus Cotterill was born in Okinawa, Japan and raised in Erie, PA. He has a BFA in photography from The Cleveland Institute of Art and an MFA in printmaking from Edinboro University of Pennsylvania. He has shown in various galleries and museums both regionally and nationally.

Cotterill’s paintings walk a line between abstraction and narration. There are hints of things viewers might think they have seen before or color combinations that feel familiar but can’t place. Maybe people pick up on these subtleties in the work, maybe they don’t – the artist doesn’t think it’s critical either way. He tries to speak in a broader language but likes having these little bits that maybe only those who “know” will recognize.

Like many, Cotterill has been heavily influenced by the records he’s listened to growing up, which identified who you were in social circles and it could influence experiences, a way of dressing, even how Saturday nights were spent. He was a kid growing up in middle class neighborhoods, watching John Hughes movies and wishing there was better music on MTV.

Living in Erie, the television and the record player were how he saw and felt the rest of the world. California and New York were other planets – his “influencers” were the posters in his room.

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Val started painting in the mid-1960s and first exhibited in 1968. Works in oil on canvas predominate among his paintings although he has worked in acrylic and continues to work on paper. His body of work includes individual, non-commissioned paintings as well as space-specific commissions.

His craft developed through studio experience. In 1972 he joined the Taliesin Fellowship where he continued creative work in the visual arts and as harpsichordist in addition to fulfilling administrative responsibilities. In 1984 he resumed independent full-time painting and sculpture.

Since the early 1980s Cox has worked on a continuing series in oil on canvas, form/unformed. He describes these works as "multi-planar, a synthesis of painting and sculpture in which the surfaces of paintings are contoured and shaped, sometimes composed of multiple panels to form a single canvas." Cox says the series developed from his desire to find forms that "participate in the space of their environment. They impinge on surrounding space and encourage the viewer to move in space. As with sculpture, no single vantage point reveals the entire painting. People have to move to see everything. Since the series uses space as a medium I describe the media as oil/canvas/space."

ARTIST'S STATEMENT
"Paintings, for me, are conduits of abstract information," Cox comments. "Documents from which viewers can receive according to individual temperament and need. They're neither 'pictures' of anything nor do they contain subject matter nor are they personal statements. They are what you see--color and form."

Dylan Critchfield-Sales was born in Pittsburgh, Pennsylvania and received his Bachelor of Fine Arts from the Maryland Institute College of Art (Baltimore, MD) in 2008 where he worked with Barry Nemett, Sangram Majumdar and Mark Karnes. During the Summer of 2007 he had the opportunity to study in Umbria, Italy at the International School of Painting, Drawing and Sculpture where he continued to work with Barry Nemett as well as Dan Gustin of The Art Institute of Chicago.

In 2009, he was the recipient of the Elizabeth Greenshields grant. In the spring of 2011, he completed his Master of Fine Arts at The Henry Radford Hope School of Fine Arts at Indiana University. Shortly thereafter, he spent seven months as a studio assistant to the internationally renowned painter, Odd Nerdrum, in Norway and France. In 2011-12 he was the Artist in Residence at the 701 Center for Contemporary Art in Columbia, SC. From 2012 - 2017 Dylan taught at the University of South Carolina, the Midlands School of Art and several other small venues in Columbia, SC.

In 2016 and 2018 he received his second and third Elizabeth Greenshields grants which enabled him to participate in the Jerusalem Studio School summer program in Civita Castellana, Italy as an Affiliate Faculty member and Artist in Residence in the summer of 2017 for three weeks and the summer of 2019 for ten weeks. Dylan has shown in Baltimore MD, Middletown DE, Pittsburgh PA, Naples FL, Bloomington IN, Columbia, SC and Stavern NO. Currently, Dylan works and teaches in Pittsburgh, PA and Columbia, SC.

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Luke Desmone is a Philadelphia based ceramic artist. He received his BFA in Craft & Material Studies from the University of the Arts, where he spent two years in residency after graduating with the Liz Stewart Award.

His work utilizes the emotion, color, form, and the curiosity he associates with identity and experience, depicting a visual dialogue that expresses the individual in variety. He attempts to communicate his fascination with the undefined, addressing humanness and the intricacies of collapse and restitution.

Desmone's most recent projects include assisting the Head Gardener of Philadelphia's Japanese House and Garden, in restoring the historic site's shoreline to its intended pebble beach form.

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A native of Loretto, Pa, Ron Donoughe has been painting and documenting the western Pennsylvania region for the last 30 years. He is a distinguished alumnus from Indiana University of Pennsylvania and has studied at the California College of Arts and Crafts, (California College of the Arts).

Ron has been honored with numerous awards, including best of show at Three Rivers Arts Festival, 2003 His work was selected for Salon International, Masters of Contemporary Fine Art, 2004 in San Antonio, TX. Ron’s was also featured in a one-person exhibition at the Pittsburgh Center for the Arts in November 2006, to coincide with a book released at that time, Essence of Pittsburgh. In 2011, he was selected to exhibit at the Pennsylvania Governor’s residence with an exhibition titled, Across the Alleghenies.

His 90 Pittsburgh Neighborhoods project was exhibited in 2015. Those 90 paintings have since been acquired by the Heinz History Center as a permanent exhibition. The book, 90 Pittsburgh Neighborhoods, was published by the Pittsburgh Center for the Arts.

Ron is a member of the Associated Artists of Pittsburgh and his paintings can be found in many corporate and private collections as well as The Westmoreland Museum of American Art and The Southern Alleghenies Museum of Art, The Duquesne Club and The University Museum at Indiana University of Pennsylvania. He has taught painting at LaRoche College, The Pittsburgh Center for the Arts, and at workshops throughout the United States and France. He also served as a juror for numerous plein air painting competition events.

On August 1, 2018 was designated Ron Donoughe Day in Pittsburgh by Mayor Bill Peduto and Pittsburgh City Council.

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Mary finds inspiration in the ability to relate to one another as part of our human condition – the connections we make with others as we naturally  recognize similarities in our lives. 

Her observations of everyday human experiences are of deep interest as she attempts to illustrate the subtle shifts and changes in our lives - ones we rarely make time to explore. 

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Rachel Farley is a Pittsburgh native. She has lived, worked, traveled all over the world. Rachel graduated from the University of Pittsburgh with Masters degrees in Fine and Studio Arts. Her work is in the collections of a wide range of individuals and corporations. Locally she has shown at the Richard Jacobsen Gallery, Concept Art Gallery, and Associated Artists of Pittsburgh at the Carnegie Museum. 

Rachel paints abstract landscapes which have been influenced by extensive travel and maintaining her painting studio in Puerto Rico. An intriguing palette gives her work a vague mysterious quality. These are landscapes of places as seen through the lens of dreams and memory.

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Andrew Fish is a painter and printmaker based in Boston, MA. He grew up in Bristol, VT and studied at School of Visual Arts in NYC and earned his MFA from Goddard College in VT. He has attended several artist residencies including the VT Studio Center, Manship Artists Residency + Studio in Gloucester, MA, Red Gate Gallery, Beijing, China, and Mass MoCA’s Assets for Artists Residency in North Adams, MA.

He is the recipient of a Mass Cultural Council Finalist award in Painting, a Somerville Arts Council grant, a NY Studio School Award, and a St. Botolph Club Fellowship. His work has been exhibited in solo and group shows nationally and internationally including Childs Gallery, Boston, MA, The Painting Center, NYC, Artzu Gallery in Manchester, UK, and Addison Ripley Fine Art in Washington, DC.

Fish teaches at Massachusetts College of Art and Design in Boston, Lesley Art + Design in Cambridge, MA, and Brandeis University in Waltham, MA. His work explores the intersection of abstraction and representation, using the figure to investigate contemporary society and personal experience.

Abby Franzen-Sheehan is an artist exploring the nexus of feminism, politics, and history. She creates paintings, prints, collages, and sculptures that examine the complexities of human existence, faith, and conscience. Since graduating from the Rhode Island School of Design, she has embraced the fullness of life—raising two sons, traveling the world, working on myriad museum and design projects, while competing in dog agility.

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Carolyn’s practice merges traditional craftsmanship with technology to create abstract, biomorphic forms. Using tools such as three dimensional design software and printing, and a seven axis robot, she explores complex geometries that were once almost inconceivable to realize. While technology plays a central role, all of her work is ultimately hand finished, blending precision with the meditative intimacy of traditional techniques.

This approach was named Digital Stone by her mentor Jon Isherwood. Carolyn follows the legacy of Isherwood, Tony Cragg, and Helaine Blumenfeld OBE. She admires the work of Jean Arp and Henry Moore, whose explorations of organic abstraction resonate with her vision. Isherwood, notably, was left with a lasting impression from Moore, inspiring a lineage of artistry and innovation that informs her practice.

Her sculpture also draws inspiration from Gogottes, natural formations of calcium carbonate and quartz found in Fontainebleau, France, dating back 5,000 – 8,000 years. These forms, seemingly alive and in motion, embody the illusion of vitality within stillness, a dynamic tension she aims to capture in her work.

Over the past decade, Carolyn has developed an intuitive digital sculpting workflow through extensive research and experimentation. Surprisingly, designing in computer aided design is as time intensive as sculpting in traditional materials, requiring thousands of iterative decisions. Like direct stone carving, the process demands critical choices to refine the form.

The ability to conceive the sculpture in its entirety before any material is touched eliminates waste, and enables the use of previously discarded or irregular stone blocks. This process allows for a deep connection between concept, material, and craftsmanship. The hand finishing stage becomes a contemplative act, imbuing the work with a sense of wonder and discovery she hopes is reflected in the final piece.

Carolyn studied at Grinnell College in Iowa and received her MFA at Washington University in St. Louis. Her practice includes new media, video and sculpture. She has exhibited internationally, including at Carnegie Museum of Art and Westmoreland Museum of American Art, where she was awarded the 2019-2020 Irving and Aaronel deRoy Gruber Foundation Award. Her sculpture is in the permanent collection of The Tomayko Foundation and First National Bank.

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Sarika Goulatia is a contemporary sculptor/installation artist born in Gorakhpur, India in 1973. In 2002, she moved to Pittsburgh, Pennsylvania, where she currently lives and works as an artist. Goulatia has a Bachelors and Masters degree in textiles at the National Institute of Fashion Technology in India and a BFA from the School of Art at Carnegie Mellon University. Her exhibition record includes several group and one-person exhibitions. In addition to the Emerging Artist of the Year show in 2016, she had solo exhibitions at the Pittsburgh Center for the Arts (2016), the Pittsburgh Cultural Trust’s Gallery as part of the India in Focus Festival (2015), and the Westmoreland Museum of American Art (2016). Important group exhibitions include shows at The Mine Factory (2013 and 2015), the Associated Artists of Pittsburgh’s Annual at the Carnegie Museum of Art (2016), and Double Consciousness at the Mattress Factory Museum (2007). She has shown with the Society of Sculptors (2007, 2014, and 2015), at Space Gallery (2007), Revision Space (2015), and Zora Art Space in Brooklyn (2011).

Goulatia received the Sally Gehl, Samuel Rosenberg, and Elizabeth Jones Award in Humanities and Art at Carnegie Mellon University and has been awarded residency/exhibition opportunities at Neu Kirche and the Alloy at Carrie Furnace. She also received a juror’s award in a Society for Sculptor’s exhibition in 2014. Goulatia is a force whose artistry is as much a reflection of her own keen intellect and insatiable curiosity as it is a reflection of human experience.

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Peggi Habets is a painter based in Pittsburgh, Pennsylvania. After years of teaching, writing, and exhibiting across the country, she has turned her focus inward—devoting her practice to the study of connection between humans and the natural world. Her recent work explores what she calls a “language of reverence,” reflecting on the interdependence of plants and people and the emotional terrain that links them.

Throughout her career, her paintings have been collected and exhibited internationally and recognized by the National Watercolor Society and the American Watercolor Society. Habets’ work was selected from more than 7,000 entries for the prestigious Shanghai Watercolour Biennial and the Shenzhen International Watercolour Exhibition in China.

Her artwork has appeared in numerous publications, including The Artist’s Magazine, Watercolor Artist, The Art of Watercolour, L’Art de L’Aquarelle, Women United Art Magazine, and Pratique des Arts, as well as the Splash: Best of Watercolor series and Artist, Mother, Proud & Serious, Vol 2. She is the author of Watercolor Made Easy: Portraits.

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Wren Howison (they/them) works primarily with acrylic, gouache, and drawing materials to create broadly interpretative portraiture and fable-like scenes that explore the relationships within relationships, bodies within bodies, and the sometimes clashing, sometimes harmonizing images we see of, and imagine of, ourselves. Their work enlists stylized interpretations of identity, self, and the wildness of being. 

Wren is a resident of Western Pennsylvania by way of Oil City and Pittsburgh, PA. They are a 1991 graduate of the Art Institute of Pittsburgh.

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Scott’s work is rooted in tradition, drawn from life and constructed with imagination. It is about the arrangement of images, textures, colors and shapes. Working in both a representational and non-representational manner while struggling with the need to merge figuration with a love of abstract expressionism, he produces two distinct bodies of work. Both tend to evoke a specific place or memory. The construction of each resonates with emotional presence.

Scott hopes that each new painting or collage is a step forward. When successful, one piece will inform the next and allow it to become something entirely new.

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Sarah Jacobs is a contemporary artist whose paintings explore the experience of navigating existential questions. Her works express the joy, complexity, and entanglements of being alive by depicting the things that make life good in surrealist compositions that suggest a state of existential curiosity. 

Jacobs is Pennsylvania Dutch and was raised in Littlestown, Pennsylvania. She was educated in Art History at Gettysburg College and received her MFA from the Hoffberger School of Painting at the Maryland Institute College of Art in Baltimore in 2010. There she studied under Joyce Kozloff and Timothy App. She moved back to the USA in 2014 after 3 years living in London and Bristol, UK where she became a naturalized British citizen.

Her work has been exhibited in the US and in Europe and she has taken part in artist residencies in Grimma, Germany; Cali, Colombia; and Taos, New Mexico. She has won multiple grants, including the Arts Council England Grant, and her work canbe found in public and private collections in the US, UK, and Hong Kong. She has had solo and two person exhibitions in New York City, London, Wrocław, Poland and Bristol, England, among other cities.

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Todd Keyser is an abstract painter and an arts writer. Todd’s paintings have always been deeply connected to the sense of not belonging anywhere specifically that is a place, but wanting to construct a specific place - one that is usually metropolitan in feeling, the memory of an interior or exterior structure or space. It’s paradoxical that the work is specific, yet the subjective experience of its making or creation is one that is rooted in a very flexible and expansive recall of objects, spaces, places – an amalgamation of experiences.

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Emily Krill is a Pittsburgh-based artist known for large-scale collages constructed from 19th- and 20th-century paper. Working with ledgers, letters, manuals, blueprints, and discarded documents, she builds layered compositions that bring together figures, objects, landscapes, and abstract forms. Her work explores memory not as nostalgia, but as material, something handled, altered, and carried forward.

Krill’s process begins with collecting historical paper that bears handwriting, stains, stamps, and marks of use. These materials are ink-washed, cut, layered, and reassembled into carefully structured compositions. Fragments of text and pattern remain visible, allowing each work to carry traces of its previous life while forming a new visual language.

Across her practice, Krill is interested in what endures. Figures often appear seated or still, suggesting moments of pause, while familiar objects and interiors feel uncannily out of time. Drawing from mid-century modern design and domestic ephemera, her work balances clarity and restraint with warmth and material presence.

Her work has been exhibited nationally and is held in private and corporate collections, including the Pittsburgh Foundation. Through collage, Krill considers how the past persists in material form, revealing the quiet presence of history within everyday surfaces.

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Jason LaCroix was born in 1979 and grew up in rural Massachusetts. After finishing art school and bouncing between Boston and western Mass for a few years, he moved to Pittsburgh in 2008. His painting subjects alternate between geometric abstraction and observational representation. Jason has also been a waiter, baker, printmaking instructor, farmer and a carpenter. He currently lives in Penn Hills with his girlfriend Rachel, her son, and their cat, Luke.

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MAY 20 - JULY 9, 2023

Cara Livorio is a professional artist native to Pittsburgh. She obtained her BFA in drawing and painting from the Pennsylvania State University and pursued graduate studies in visual art and curatorship at NABA in Milan, Italy. A painter to the core, her craft centers on color, form, light, and the tactual physicality of the paint. She uses a myriad of techniques to construct dynamic and palpable experiences.

Cara’s work has been exhibited nationally and internationally in Italy and resides in private collections throughout the United States and in Europe. Her painting, “Flourish” from her B(L)OOM! series was acquired by the Westmoreland Museum of American Art for its permanent collection.

Her artwork can be seen in various locations throughout Pittsburgh and in Italy, including an installation of large-scale paintings in the lobby of the Jefferson Regional Hospital and an extensive mural/artwork commission in Ospedale dei Bambini Buzzi in Milan, Italy.

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Rob Long is a professional artist and Principal of Clear Story, a Pittsburgh-based design and consulting firm he founded in 2007. Rob’s creative practice bridges the disciplines of architecture, theatre and fine art—working with light and technology to create dynamic and memorable experiences. His photographs are held in private and institutional collections.

Rob’s abstract photography practice exists at the intersection of his work as an artist and architectural lighting designer. Observing light in the public realm, exploring movement and timing, gesture and line, color and form—he situates himself in spaces that feel sacred and quiet, where the light is layered and the contours of the landscape pronounced. Seeking compositions of surfaces, reflections, points of light, and using in-camera techniques to manipulate light and elements of the scene, the images in this body of work are alchemic experiments of chance and intentionality, rooted in a clear vision of possibility.

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Inspired by places traveled, and by others yet to be explored, Michael Lotenero balances identity, place and memory through constructed relics from unrealized civilizations. Other ghosts linger from the past, while some visit from the future through paintings and mixed media.

Lotenero conjures apparitions in found photos of turn-of-the-century New York, and in images he's taken in Rome, Pompeii, and Florence. Or, he might bury an entirely finished, sometimes colorful painting, under a new layer of white and line – bewitching the viewer to sense something underneath, adding hidden meaning and weight.

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Nate Lucas, born in Ebensburg, PA, was reared in the woods and on the streams of Western Pennsylvania – here he would root his relationship with his muse, finding inspiration in the meditative patterns of his natural surroundings.

After studying fundamentals and classical technique at the Columbus School of Art and Design, Nate went on to spend the bulk of his career moving around the country gaining experience as a woodworker on various high-end projects from custom residential interiors to church restoration, honing his craft and finding balance between art and function.

Nate’s current body of work Is an exploration into visual and tactile patterns. His artwork exists In its current form as both sculpture and abstract painting executed on reclaimed natural wood slabs, drawing inspiration from the often overlooked beauty of patterns in both natural and manmade experience. He desires to create objects that give the viewer some sense of the awe found in viewing a brilliantly colored patch or lichen, stones on a riverbank, or a crack in a sidewalk.

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Dale Luce has spent most of his art career at the Carnegie Museum of Art, where he was employed for 31 years, until his recent retirement – allowing him to get back to making art. While employed at the museum, Luce worked as an Art Handler, the museum’s Framer and Mount Maker, and on conservation projects focused on the proper care and housing for the museum’s extensive works on paper and photography collections. He was involved in around 380 exhibitions over the years including eight Carnegie International Exhibitions.

Luce has worked with artists from all parts of the globe, at times helping to fabricate their artworks for large scale installations.

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Kevin Mack is an artist working out of Pittsburgh whose work revolves around color, nature, experience, and play.

Originally from the Philadelphia area, Mack graduated from Tyler School of Art in 2013 with a focus on sculpture and painting. While primarily a studio painter, his murals can be found in New York City, Los Angeles, Pittsburgh, Finland, and Romania.

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Chris McGinnis is a visual artist, arts leader, husband and father of two girls working in Pittsburgh Pennsylvania. He has created projects for the Westmoreland Museum of American Art, Urban Institute of Contemporary Art, Schuylkill Center for Environmental Education and SPACE Pittsburgh among many others.

His artwork has been exhibited widely, with more than ten solo exhibitions and over fifty group exhibitions in recent years. Primarily working in paint and two-dimensional media, Chris draws inspiration from the intersection of heavy industry, technology and the human experience, often questioning established notions of progress in the modern era.

He has taught as Assistant Professor of Art for national institutions including Carnegie Mellon University, Indiana University of Pennsylvania, and the University of Arizona. In 2016 Chris founded the Rivers of Steel Arts program, based at the Carrie Blast Furnaces National Historic Landmark, offering programs in Graffiti, Folk and Metal Arts, as well as regional placemaking initiatives and popular events including Alloy Pittsburgh and The Festival of Combustion. In his current position as Director and Chief Curator, Chris leads a dedicated team of creatives working to build local pride in place, and promote arts and heritage tourism to enhance the lives of individuals throughout the Rivers of Steel National Heritage Area.

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Jordan Millington Liquorice thrives on creating photography that brings to life the most vibrant and energetic stories, capturing the purest essence of living in the here and now. His work is deeply inspired by life's special moments—those rare instances when we let go and become fully immersed in powerful, uplifting energy that adds grace to life. Jordan builds on these moments, crafting a hyper-surreal world where reality bends into art.

His photography is a blend of dreamlike wonder and grounded emotion, drawing viewers into a world where each moment feels both extraordinary and authentic. From conceptualization to production, Jordan brings his visions to life with boundless creativity, whether transforming his grandmother’s backyard into a set or orchestrating fully staged productions in major studios. Every detail, from sketching scenes and scouting unique locations to curating music playlists, is thoughtfully crafted to capture moments that feel true and alive.

Beyond photography, Jordan channels his creative energy into painting and other artistic forms, using them as an expressive outlet and a way to maintain his artistic flow. His multifaceted artistry is a testament to his passion for storytelling and his dedication to creating art that resonates with raw, vibrant energy.

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Carin Mincemoyer’s work ponders the ways in which humans try to embrace, struggle to control, yearn for, reject, and alter the natural environment. Her creative practice encompasses sculpture, installation, public art and design in diverse materials including wood, metal, discarded packaging, and live plants. Mining the visual evidence of humans' efforts to contend with the seeming chaos of nature, she employs the engineered forms of scaffolding and bridges, the image of the underappreciated dandelion, a weather icon meant as shorthand for the complexity of a thunderstorm. These works offer opportunities for heightened perception of our daily predicament, our constant navigation between civilization and wildness.

Carin’s work has been recognized with grants and awards from the Pollock-Krasner Foundation, the International Sculpture Center and the PA Council on the Arts. She has been awarded public commissions in Pittsburgh, NYC, and Philadelphia, and her work has been exhibited at venues including the Mattress Factory in Pittsburgh, PA, Grounds for Sculpture in Hamilton, NY, and SPACES in Cleveland, OH. She has been an Artist in Residence at the Bemis Center for Contemporary Art in Omaha, NE and the Klondike Institute of Art and Culture in Dawson City, Yukon, Canada. She holds a BFA from Carnegie Mellon and an MFA from the University at Buffalo. Based in Pittsburgh, PA, she is on the faculty of Point Park University.

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Kathleen Mulcahy's glass drop installations incorporate bent and etched plate glass on patinaed or textured steel. As an avid kayaker, she experienced a moment that changed the direction of her art. A storm came upon the river suddenly. In its wake it left her with a moment of pure joy, of wonder, that she works to recreate in her drop installations. Her inspiration, drawn from the natural world – water and rivers, often titled after excerpts from poems exploring the boundaries and freedoms that affect relationships; people to people and people to nature. Nature is the reflection point of her work. Kathleen pushes the limits of the medium, merging sculpture with craft to create masterful works in glass and metal.

Mulcahy received a Masters of Fine Arts in glass sculpture and three-dimensional design from Alfred University. Afterwards, she directed glass studio programs at Bowling Green State University in Ohio and Carnegie Mellon University in Pittsburgh then went on to develop the Pittsburgh Glass Center, one of the premier public access glass studios in the nation. During this time, her own work – installation pieces, cast glass, and blown glass objects – evolved into unique and poignant statements. Kathleen received Fellowship Awards from the Pittsburgh Cultural Trust, the National Endowment for the Arts. the Pennsylvania Council on the Arts, The Creative Glass Center of America. She received The Lusk Memorial Award through the Fulbright Foundation, The Mid Atlantic Arts Foundation. In 1992, she was named Artist of the Year by the Pittsburgh Center for the Arts and Pennsylvania Artist of the Year by Governor Corbett in 2013. Her works are in many public and private collections including the American Craft Museum, The Corning Museum of Glass, The Carnegie Museum of Art, The Renwick Galleries of the Smithsonian Institution and The Westmoreland Museum of Art. In 1997, she was selected as Fellow of and Artist in Residence at the Cité Internationale des Arts in Paris. 

Mulcahy positions herself as an intentionalist – a word she coined to describe someone who uses art and the making of art to transform communities. Drawing on individuals of different backgrounds and ethnicities, the community comes together to make and appreciate expression and skill in a unique and challenging material.

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Karl Mullen, born in Dublin, Ireland, lives and works in the Berkshire Mountains. He has developed his own non-traditional approach to art making often utilizing found and repurposed materials.

Painting largely with his hands, Karl creates distinctive, poetic figures that float on fields of color. The imagery in his paintings is born out of Irish mythology, family and dreams. Like Dubuffet's art brut, of which "outsider art" is the English approximation, Mullen's paintings privilege the raw over the cooked, spontaneous process over studied composition, the iconic over the naturalistic, the primitive over the polished.

Mullen's paintings reside in many private collections, and are shown in galleries throughout America and Europe, as well as in the annual Outsider Art Fair in New York. 

His work has been showcased in the PBS syndicated TV series Rare Visions & Roadside Revelations and is frequently included in art/design magazines such as Home Accents and Elle Decor.

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Watch Karl perform live in the gallery

Paul Mullins is a visual artist, with a 20-plus year practice in drawing and painting. His work has been widely exhibited in San Francisco, New York, Chicago and Miami. For Fifteen years he was full time faculty at San Francisco State University. Relocating to Pittsburgh three years ago was a return of sorts, as he grew up and was educated in Appalachia, a region that has always informed what he made, sometimes overtly, sometimes more quietly.

Presently Paul works from the third floor of his North Side home, and teaches classes at area universities.

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Hans Neleman (b. 1960) is a Dutch-born interdisciplinary artist based in New Canaan, CT whose practice includes collage, painting, photography, and video. Neleman creates lyrical dreamscapes where heads appear to emerge from their abstract backgrounds. Myths and modern tales merge. Making one wonder what occupies the ‘headspace’ within the imagery, how this stirs emotions and perceptions within our own imagination and if or why new meaning is created. This enthralling amalgamation of both realist and abstract heads provides a space for stories about transformed identities that move to a surrealist beat mixed with sensual and even romantic harmonies.

Neleman studied fine arts at Goldsmiths University in London and received a BA from Westminster University and an MA in Studio Art from New York University. He has worked for over 30 years as an internationally celebrated commercial and advertising photographer. He has published three books (Silence, Moko-Maori Tattoo and Night Chicas) and exhibited his works nationally and abroad. His most recent exhibitions include: MoCA, Westport, CT; Jean Jacobs Gallery, New Canaan, CT; the Art Museum at University of Saint Joseph, West Hartford, CT; CUSP/NYC Gallery, Brooklyn, NY; Anita Rogers Gallery, New York City; Biennale de Lyon France, Lyon, France; and Peabody Essex Museum, Salem, MA.

His work is in many private and public collections including: National Gallery of Australia, Canberra, Australia; the Peabody Essex Museum, Salem, MA; the Museum of Contemporary Art of Lyon, Lyon, France; the Art Museum at University of Saint Joseph, West Hartford, CT; Norwalk Community College Art Collection, Norwalk, CT; and the Housatonic Museum of Art, Bridgeport, CT. Neleman has also been featured in numerous international and national newspapers and magazines including The New York Times, Newsweek, Esquire, US News and Word Report to name a few. He has been interviewed on WNYC’s The Leonard Lopate Show and MTV’s Cool People.

His awards include Kodak Photographer of the Year and American Photographer Magazine Photographer of the Year. In 2006 he was awarded the Hasselblad Master title and he is the recipient of the World Image Award for Still Life Photography.

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Parrish Jr. was born North Carolina. He attended East Carolina University where he earned a BFA in sculpture. Soon after college Parrish relocated to Pittsburgh where he began working as an artist blacksmith and fabricator. He was part owner of Red Star Ironworks, a custom metal shop focusing on decorative metal work. Moving forward he worked as an independent artist and taught foundry classes out of his private studio. Parish has also worked in the film industry as a special effects technician and specialty prop maker. He has lead Hot Metal Happening, a series of public iron casting events at various locations around Pittsburgh.

His work has been exhibited at the Mattress Factory, the Pittsburgh Center for the Arts, The Carnegie Museum of Art, Space Gallery, and the Irma Freeman Center for Imagination. A permanent installation of his work is in the collection of the TRYP Hotel, Pittsburgh. Parrish has been featured in Sculpture Magazine, and has been covered by many Cultural periodicals throughout his Career.

Currently he is working with the Rivers of Steel Arts as the Metal Arts Director developing foundry and metal arts programming. Parrish has over twenty years experience and a life long dedication to the exploration of metal arts.

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Brian Peters is a spatial artist, designer, and educator currently based in Pittsburgh, PA. He earned a Bachelor degree in Studio Art, a Master’s of Architecture from the University of Illinois at Chicago, and a Master’s of Advanced Architecture from the Institute of Advanced Architecture of Catalunya, in Barcelona, Spain. He has taught and practiced around the world, including Chicago, Barcelona, and Amsterdam.

Brian’s passion lies at the intersection of architecture, art, and fabrication, and his work explores patterns, textures and forms that show evidence of both the artist’s hand and the marks of the tools used. He’s not interested in the perfection of machine-made objects, but rather the art of integrating digital coding, custom-built technology, contemporary aesthetics and natural clay.

Brian’s work has been exhibited around the world, including in the Museum of Craft and Design in San Francisco and the New Taipei City Yingge Ceramics Museum in Taiwan. He has completed a number of commissioned projects, including one funded by the National Endowment of the Arts. His work in 3D printed ceramics is widely publicized and has received several prestigious awards.

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Patrick Ruane is an Artist living and working primarily in Pittsburgh, Pennsylvania, with a Summer Studio on the banks of the Muskingum River in Southeastern Ohio.

Ruane was born in 1960 and raised in the eastern suburbs of Pittsburgh a few miles from the Allegheny River Valley, a river valley that proved to have an overarching influence on his work. Formally trained at Indiana University of Pennsylvania, the Artist is broadly inspired by time spent outdoors, and more specifically by the rivers, woods and fields of Appalachia, or from more distant landscapes that the Artist has visited with easel and paint in tow.

The style of the work ranges from highly realistic to more atmospheric, suggestive and minimal. The work has a calm, meditative, sometimes melancholy quality. A strong sense of place as well as sunlight permeates the paintings.

Patrick Ruane has staged over 25 solo exhibitions – most recently “Painting Summer 2024” at The U.S. Post Office and Courthouse, in Pittsburgh, PA. Highlights of the last decade include shows at The Westmorland Museum of American Art, Wittenberg University, and The Pennsylvania Governor’s Residence. His work is in private and corporate collections nationally and internationally.

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Linda Price-Sneddon’s curious visual sense was fostered in the woods and wilds of western Pennsylvania. Early training at the Lyme Academy of Fine Art in Old Lyme, Connecticut provided a strong classical foundation enriched by the history of the plein aire painters of the Connecticut River Valley and Hudson River Valley School of landscape painting. She later pursued contemporary methods and practice at the School of the Museum of Fine Arts, Boston.

Price-Sneddon’s paintings and installations have been exhibited widely throughout New England and the Pittsburgh area. She has been artist-in-residence at numerous New England schools and institutions including MASS MoCA’s Kidspace, Babson College and The Fuller Craft Museum in Brockton, Massachusetts. Price-Sneddon has received grants in support of her support of her work from the Greater Pittsburgh Artist Council, Massachusetts Cultural Council, Berkshire Taconic A.R.T. Fund,Target Foundation and Citibank. 

Recent projects include a solo exhibition Point of Beginning at Zynka Gallery in 2024; the video installation S.H.E. Emergent at the Boston Center for The Arts’ Feminist Futurist exhibition (2020); and exhibition and stage set design for the Pittsburgh New Music Ensemble performance at City Theatre in Pittsburgh.

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John Burt Sanders is an artist from Arcade, New York. He completed his MFA in painting and drawing at Ohio University in 2011 and earned a BFA in painting and art history at State University of New York at Fredonia in 2007. Sanders has been awarded an Artist Opportunity Grant from the Greater Pittsburgh Arts Council in 2014. In 2014 he participated in an artist residency at the Vermont Studio Center in Johnson, Vermont. In 2019, his work appeared in the Northeast edition of New American Paintings, issue # 140.  Sanders currently lives and works in Pittsburgh, Pa.

John’s paintings tend toward formal abstraction and focus on simple formal visual elements (color, texture, composition). They vary in degrees of visible subtlety and overload. For example, while one may seem to only show slight shifts in color variation, another is dominated by high contrast colors that are dizzying to view for a duration. His intention is to produce work that engages the viewer in the act of looking while emphasizing that looking is an active process that can be felt (physically, mentally and emotionally). To that end, his paintings do not produce any immediate recognizable imagery but instead present the viewer with an image suggestive of many images. John believes this potential for many readings is crucial for creating new meanings and highlighting existing connections.

Travis K. Schwab was born in Wichita, KS in 1984. He studied at the Art Institute of Pittsburgh from where he graduated in 2005 with a degree in graphic design. In 2009 he began to experiment with oil paint, and started to exhibit his work in 2012.

Travis’ work can be found in private collections across the U.S. and Europe, and has been shown in many publications including New American Paintings, The New Republic, and Art Business News.

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Amanda Scuglia uses traditional mediums of oil painting and printmaking to examine our intuitive and spiritual relationship to nature. Drawing from life and painting en-plein-air are integral parts of her practice. 

She is a 2018 recipient of the Elizabeth Greenshields Foundation Grant. Amanda received her MFA in 2013 from the New York Academy of Art, where she studied anatomy and figurative art, and was given the David Kratz & Gregory Unis scholarship of merit. She has been awarded a number of artist residencies including the Terra Foundation of American Art in Europe located in Giverny, France (2012), Altos de Chavon, Dominican Republic (2013), and the Eric Fischl Teaching Residency at West Nottingham Academy in Maryland (2015). 

Other creative projects have included serving as a props stylist for a Bjork music video, drawing live models at various high-profile events, and painting for Liu Bolin - which brought her on set in Iceland for a collaboration with Annie Leibovitz and Moncler. She has been interviewed by Sotheby's blog for her work exhibited in the Accessible Art Fair New York (2016). After living and working in New York City for over a decade, she relocated to her hometown of Pittsburgh, PA.

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Jonathan Shapiro is a self-taught sculptor who incorporates natural materials along with found objects into his work. Growing up in New York, Jonathan was drawn to taking things apart and putting them back together in ways that were more useful, more meaningful, or just more interesting to him. He feels that his art has taken this inclination to new levels of expression.

Through his art, Jonathan attempts to gain a better understanding of himself and the world we live in. In a society where so much is processed, he is constantly searching for things that are real. His sculptures are visual, tactile tools that serve almost as guideposts, enabling him to discover and keep in touch with how he is feeling and reacting to the dynamic environment.

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Brenda Stumpf (American, b.1972) is a contemporary sculptor and painter. Stumpf began exhibiting her work during the mid 1990s upon leaving art school and has been recognized for her intricate use of unorthodox materials— the paper of steeped tea bags, unraveled rope, sand, plastic flowers, animal bones, salvaged wood, and scraped wallpaper — to create sculptures and assembled paintings that have a baroque sensibility layered atop evocative subject matter. Mythology, mysticism, ancient history and poetry are deep wells for Stumpf’s ceaseless intrigue into the mysterious, secretive, and unknown. When dismantling and then reconstructing with the found and discarded materials, Stumpf does so with an almost shamanistic approach — a potent act akin to the cycle of death and rebirth.

Stumpf’s paintings, sculpture, and works on paper have been exhibited in 26 solo and 122 group exhibitions that include the Butler Institute of American Art, the Littleton Museum, Denver Community Museum, Boulder Museum of Contemporary Art, Foothills Art Center, Paris Gibson Square Museum of Art, and this summer, The Westmoreland Museum of American Art. The artist’s work has been juried into numerous exhibits by the likes of Jerry Saltz, senior art critic and columnist for New York magazine, Christoph Heinrich, Director of the Denver Art Museum, Jamie Sterns, writer and the curatorial director of Brooklyn’s Interstate Projects, and Taras Malta, Associate Director and current Acting Director of the University of Maryland Art Gallery.

Designers, architects, institutions, and private clients have commissioned Stumpf to create signature works and currently her art resides in over 350 collections throughout the United States and abroad. Originally from Parma, OH the artist currently lives and works in Pittsburgh, PA.

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Mia was raised in Newport, RI and currently lives in Pittsburgh, PA. She studied art history at the University of Siena, Italy and minored in an art concentration at Georgetown University where she received her BSL in 1997. A decade later Mia began pursuing a career as an oil painter.

Since showing her work publicly in 2009, she has had solo exhibitions each year and has been dozens of group exhibitions. Her work has been selected by notable jurors from the MoMA, Guggenheim, Brooklyn Museum, MoCA Cleveland, Carnegie Museum of Art, Andy Warhol Museums and Mattress Factory for exhibitions which include both museum and gallery settings in Pittsburgh, Dallas, Ohio, and New York City.

Tarducci has received multiple awards from juror’s including “best oil” for her piece “Revival” in Brooklyn, NY. In 2014 she was honored with Pittsburgh Center for the Arts prestigious “Emerging Artist of the Year”. She was selected as the 2015 recipient of the Kiski School’s “Will’s Gift” an award given to an artist living and working in Pittsburgh.

Her work is in important private and corporate collections throughout the US and abroad, and has been featured in New American Paintings Edition 110, Studio Visit Magazine, American Art Collector, Shady Ave, Whirl, Newport Naked, and Fox Chapel Living magazines.

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Jack Taylor is an artist and educator hailing from Seattle, Washington. Jack earned his BFA with an emphasis on painting, printmaking, photography, and drawing from Carnegie Mellon University in 2018. His practice deals with the changing landscape of the pacific northwest and how it ties into personal history, Americana, and notions of labour and industry at large.

Stephen's current projects are continuing an idea re-contextualizing imagery with an even more intense visual stimulation with the use of heightened color and even larger formats that will help push the boundaries of water-based media. 

His artwork also deals with distressed figures/bodies from media images of executions, historical tragedies and medical imaging. The main focus of these works are on the bodies’ gestures and the stories they tell through our greater connection with imagery.

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Walsh was born in Pittsburgh, Pennsylvania and has lived and worked throughout North America, most notably Toronto ON, Miami FL, and Oakland CA. He presently lives and works in Pittsburgh, PA where he has founded an artist run sculpture studio.

He is a catalyst, igniting a continual discourse about the history of metal sculpture and modern industrial and digital processes. As a Pioneer of the Graffiti Sculpture movement Michael has worked tirelessly over the past two decades to develop both his work and the movement’s forward trajectory.

He has exhibited his works throughout North America and Europe, Including The Carnegie Museum Pittsburgh PA, The National Archaeological Museum in Florence Italy, Burning Man in Black Rock City Nevada, and The Art Gallery of Ontario in Toronto Ontario. In 2014 he attended the Digital Stone Residency in Tuscany, Italy.

His work is included in private collections, and in permanent public displays. Recently he has received a grant from the S. Kent Rockwell Foundation, and is the 2017 recipient of the Kiski Award.

Walsh’s work has been featured in Architectural Digest, MakeZine, and in The History of American Graffiti By: Roger Gastman and Caleb Neelon.

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Shawn Watrous has been making and showing art for over twenty years. He has shown his work regional and nationally including exhibitions in New York, NY and Seattle, WA, as well as the Mattress Factory Museum in Pittsburgh, PA, and the State Museum of Pennsylvania in Harrisburg. In 2016 he curated the group show Monumental at Unsmoke Systems in Braddock, PA. In his painting practice, he looks to his life and experiences, the spaces, things and people he’s encountered, and explores the aspects of time, distance, form and identity particular to painting.

He received his BFA from the San Francisco Art Institute in 2002 and his MFA from Kent State University in 2013. He currently resides in Western Pennsylvania and is the Associate Preparator at The Carnegie Museum of Art in Pittsburgh.

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Natalie Westbrook® received her BFA from Cooper Union, MA from the University of Louisville, and MFA from Yale University. She is the recipient Yale University’s Robert Schoelkopf Memorial Travel Grant, and the Carol Schlosberg Memorial Prize for Excellence in Painting.

She has exhibited internationally, including recent exhibitions with Galleri Golsa, Oslo, Norway; Artformosa, Taipei City, Taiwan; Paris Contemporary Art Show, Paris, France; Robert Miller Gallery, New York, NY; CRUSH Curatorial, New York, NY; Interstate Projects, Brooklyn, NY; the B3 Biennial of the Moving Image in Frankfurt, Germany; and Co/Lab at Art Platform Los Angeles, CA. She received the Haleakala Artist in Residence, the Robert Schoelkopf Memorial Travel Grant, and the Carol Schlosberg Memorial Prize for Excellence in Painting.

Westbrook has exhibited internationally, including shows with The Hole, Los Angeles, CA; Freight+Volume, New York, NY; Mindy Solomon, Miami, FL; ZYNKA Gallery, Pittsburgh, PA; Rarity Gallery, Mykonos, Greece; OMNI, London, UK, and Torch Gallery in Amsterdam, The Netherlands. The artist’s work is held in private and public collections, including Markel Corporation, Red Bank, NJ; Capital One, Richmond, VA; and Art Bank Program, US Department of State, Washington, DC; and Haleakala National Park, Maui, HI.   

Westbrook has lectured at Yale University, the University of Hartford, CT, the University of Wisconsin, Madison, and Carnegie Mellon University where she currently lives and works in Pittsburgh, PA.

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Jannick Wildberg is a French-American artist who has exhibited in the New York and Pittsburgh areas for the past 25 years. Her art, which includes various styles —from large-scale realistic oil portraits to still lives and abstracts— is collected in the USA, Europe, and Asia. She is a member of The Associated Artists of Pittsburgh (AAP) and The Pittsburgh Society of Artists (PSA).

Artist Statement:

“When we awaken from ‘Self-Absolutism,’ a term coined by psychiatrist Mark Epstein, we experience the Oneness with everything, become conscious of all beings’ fundamental but fragile interconnectedness, and realize the Preciousness of Life. Whether portraits, nests, plants, or abstracts, my paintings attempt to raise awareness of our shared consciousness. I wish to represent life’s radiance and communicate messages of universal interdependence.”

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Painter Terri Wolfe Izzo emphasizes mood and suggestion over detail. She utilizes color to capture the unique energy of each place she paints. Atmospheric conditions and time of day form the basis of this exploration.

Ms. Wolfe Izzo holds a Bachelor of Fine Arts degree from Kent State University. For thirty years, her professional work as a designer has garnered international and national awards. As of January, 2015, Ms. Wolfe Izzo returned to painting full time and exhibits her work regularly in the western Pennsylvania region.

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As a Chinese American whose childhood was filled with anime, manga, and video games, Jordan Wong (WONGFACE) creates drawings, characters, and icons to contemplate the hero’s journey, the game theory of leveling up throughout life, and the Ultimate Self.

Jordan has produced large-scale installations and public artwork for the city of Cleveland as well as exhibited at the Children’s Museum of Pittsburgh (2024 and 2020), Massillon Museum (2023), and Akron Art Museum (2021 – 2022).

From 2020 to 2022 Jordan served as the president of the Cleveland chapter of AIGA, the professional association for design. His work has been featured by Ideastream, Destination Cleveland, Downtown Cleveland Alliance, Channel 3 WKYC, News 5 Cleveland, The Great Discontent (issue no. 5), Graphic Design USA (”People to Watch 2021”), Cleveland Magazine (”Most Interesting People 2021”), PressureLife, The Land, FreshWater Cleveland, and CAN Journal.

Jordan has artwork in the collections of Meta (the parent company of Facebook), Cleveland Public Library, University Hospitals, Laura and Fred Bidwell (founder and executive director of FRONT Triennial), and other private collectors.

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