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For Chuck Olson, the region of Western Pennsylvania has literally formed the background of his development – his birth, upbringing, education, and his work.
“As an American painter educated within the last quarter of the 20th century, the powerful example of Abstract Expressionism, which marked the self defining American break with European modernism, pulled me into its energy and provided me with a way of seeing with which to respond to my experience. Part of that experience was also taken intellectually with the importance of history and its accompanying conscience which allowed for the development of imagery based on a hybrid of gestural abstraction and representation of forms gleaned from the past.
Perhaps my earlier declaration as an “American painter” should contain an asterisk as I have a French wife and a Franco-American life that wonders about where it belongs. This restlessness, caused by cultural collision, allows me the potential , I believe, to constantly reflect on how one sees, constructs life, and then proceeds to take it all in. It is in spending time in France that affords me an opportunity to understand the “American” and the “French” is examined within the context of time spent in Western Pennsylvania. There is something of American energy and French mystery that drives me. This Franco American duality is also there in my definition as artist and professor. Some think that it shows and perhaps it shows best within my work.”
Olson has participated in over 300 solo and group exhibitions throughout the United States, France, Italy, Germany, and Japan. He is represented in significant museum, corporate, and private collections. In addition, he was a professor of art at Saint Francis University (Pennsylvania) where he taught art history, painting, drawing, and photography.
For Chuck Olson, the region of Western Pennsylvania has literally formed the background of his development – his birth, upbringing, education, and his work.
“As an American painter educated within the last quarter of the 20th century, the powerful example of Abstract Expressionism, which marked the self defining American break with European modernism, pulled me into its energy and provided me with a way of seeing with which to respond to my experience. Part of that experience was also taken intellectually with the importance of history and its accompanying conscience which allowed for the development of imagery based on a hybrid of gestural abstraction and representation of forms gleaned from the past.
Perhaps my earlier declaration as an “American painter” should contain an asterisk as I have a French wife and a Franco-American life that wonders about where it belongs. This restlessness, caused by cultural collision, allows me the potential , I believe, to constantly reflect on how one sees, constructs life, and then proceeds to take it all in. It is in spending time in France that affords me an opportunity to understand the “American” and the “French” is examined within the context of time spent in Western Pennsylvania. There is something of American energy and French mystery that drives me. This Franco American duality is also there in my definition as artist and professor. Some think that it shows and perhaps it shows best within my work.”
Olson has participated in over 300 solo and group exhibitions throughout the United States, France, Italy, Germany, and Japan. He is represented in significant museum, corporate, and private collections. In addition, he was a professor of art at Saint Francis University (Pennsylvania) where he taught art history, painting, drawing, and photography.
Italian Cloud, acrylic on canvas, 96 × 72 inches
Searching Cinderella, acrylic on canvas, 72 x 48 inches
Bad Flower, acrylic on canvas, 48 × 120 inches
The Spring, acrylic on canva, 72 x 96 inches
Threshold, acrylic on canvas, 40 × 30 inches
The Garden Bed, acrylic on canvas, 96 × 96 inches
The Treeline, acrylic on paper, 40 × 72 inches (framed)
Breaking News, acrylic on paper, 40 × 72 inches (framed)
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